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    <title>FilmArt at Yahoo! Groups</title>
    <link>http://movies.groups.yahoo.com/group/FilmArt/</link>
    <description>Film Art</description>

    <item>
      <title>Rose Hobart</title>
      <pubDate>Thu, 04 Jun 2009 20:24:52 GMT</pubDate>
      <dc:creator>kian@...</dc:creator>
      <link>http://movies.groups.yahoo.com/group/FilmArt/message/14</link>
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      <description>Dear Friends, It&#39;s been so long since there was a post on this board, I almost forgot it existed! In hopes of bringing some much-needed emails to my in-box, </description>
    </item>
    <item>
      <title>Hou Hsiao-Hsien&#39;s &quot;Millennium Mambo.&quot;</title>
      <pubDate>Wed, 16 Jul 2008 16:50:12 GMT</pubDate>
      <dc:creator>Fred Camper</dc:creator>
      <link>http://movies.groups.yahoo.com/group/FilmArt/message/13</link>
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      <description>Thanks to Doc Film at the University of Chicago for showing Hou Hsiao-Hsien&#39;s great great &quot;Millennium Mambo.&quot; Something I have been reminded of in recent</description>
    </item>
    <item>
      <title>Re: On Entrances in Andre de Toth&#39;s &quot;Day of the Outlaw&quot;</title>
      <pubDate>Mon, 26 May 2008 05:30:15 GMT</pubDate>
      <dc:creator>edo@...</dc:creator>
      <link>http://movies.groups.yahoo.com/group/FilmArt/message/11</link>
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      <description>I should add that when I say &quot;spiritual&quot; I do not at all mean to suggest that there is a sense of the spiritual realm in the world of the film. I refer more to</description>
    </item>
    <item>
      <title>Re: On Entrances in Andre de Toth&#39;s &quot;Day of the Outlaw&quot;</title>
      <pubDate>Mon, 26 May 2008 05:13:42 GMT</pubDate>
      <dc:creator>Edo</dc:creator>
      <link>http://movies.groups.yahoo.com/group/FilmArt/message/10</link>
      <guid isPermaLink="true">http://movies.groups.yahoo.com/group/FilmArt/message/10</guid>
      <description>Fred, Over the past two days since I posted this on Film Art, I&#39;ve been editing the same entry on my blog. So for some elaboration and clarification of my</description>
    </item>
    <item>
      <title>Re: On Entrances in Andre de Toth&#39;s &quot;Day of the Outlaw&quot;</title>
      <pubDate>Mon, 26 May 2008 01:01:53 GMT</pubDate>
      <dc:creator>Fred Camper</dc:creator>
      <link>http://movies.groups.yahoo.com/group/FilmArt/message/9</link>
      <guid isPermaLink="true">http://movies.groups.yahoo.com/group/FilmArt/message/9</guid>
      <description>Edo, Thanks for some terrific comments on this tremendously great film, long a particular favorite of mine. I think you&#39;re largely right about the entrances. I</description>
    </item>
    <item>
      <title>On Entrances in Andre de Toth&#39;s &quot;Day of the Outlaw&quot;</title>
      <pubDate>Fri, 23 May 2008 17:35:49 GMT</pubDate>
      <dc:creator>edo@...</dc:creator>
      <link>http://movies.groups.yahoo.com/group/FilmArt/message/8</link>
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      <description>(This is also posted on my blog, but I&#39;d like to stimulate some discussion so that I&#39;m not just talking to myself!) Hitherto I have seen only the one Andre De</description>
    </item>
    <item>
      <title>Re: Zhang Ke Jia&#39;s &quot;Still Life&quot; (Sanxia haoren)</title>
      <pubDate>Sun, 23 Mar 2008 16:54:07 GMT</pubDate>
      <dc:creator>Edo</dc:creator>
      <link>http://movies.groups.yahoo.com/group/FilmArt/message/7</link>
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      <description>I had surmised that you might like this one better than the others. Even though &quot;Platform&quot; is my favorite, &quot;Still Life&quot;, which was the first I saw always</description>
    </item>
    <item>
      <title>Zhang Ke Jia&#39;s &quot;Still Life&quot; (Sanxia haoren)</title>
      <pubDate>Sat, 22 Mar 2008 21:19:42 GMT</pubDate>
      <dc:creator>Fred Camper</dc:creator>
      <link>http://movies.groups.yahoo.com/group/FilmArt/message/6</link>
      <guid isPermaLink="true">http://movies.groups.yahoo.com/group/FilmArt/message/6</guid>
      <description>I have long wanted to post a few comments on Zhang Ke Jia&#39;s &quot;Still Life&quot; (Sanxia haoren) which recently played in Chicago. I had seen two earlier films of his,</description>
    </item>
    <item>
      <title>Bresson and film style [Was: Jacques Tourneur&#39;s &quot;Nightfall&quot;]</title>
      <pubDate>Mon, 03 Mar 2008 02:16:52 GMT</pubDate>
      <dc:creator>Fred Camper</dc:creator>
      <link>http://movies.groups.yahoo.com/group/FilmArt/message/5</link>
      <guid isPermaLink="true">http://movies.groups.yahoo.com/group/FilmArt/message/5</guid>
      <description>Matt, thanks for your response, which I&#39;ve been thinking about for a bit. Unfortunately, I don&#39;t remember that moment in &quot;L&#39;Argent,&quot; which I have not seen in a</description>
    </item>
    <item>
      <title>Re: Jacques Tourneur&#39;s &quot;Nightfall&quot;</title>
      <pubDate>Mon, 25 Feb 2008 07:31:46 GMT</pubDate>
      <dc:creator>Matt Teichman</dc:creator>
      <link>http://movies.groups.yahoo.com/group/FilmArt/message/4</link>
      <guid isPermaLink="true">http://movies.groups.yahoo.com/group/FilmArt/message/4</guid>
      <description>It&#39;s a shame I wasn&#39;t able to make it to that screening. Thus far I haven&#39;t really been able to get into Tourneur--possibly because I haven&#39;t seen anything of</description>
    </item>
    <item>
      <title>Jacques Tourneur&#39;s &quot;Nightfall&quot;</title>
      <pubDate>Sun, 17 Feb 2008 23:20:33 GMT</pubDate>
      <dc:creator>Fred Camper</dc:creator>
      <link>http://movies.groups.yahoo.com/group/FilmArt/message/3</link>
      <guid isPermaLink="true">http://movies.groups.yahoo.com/group/FilmArt/message/3</guid>
      <description>I wanted to offer some comments on Jacques Tourneur&#39;s masterpiece, &quot;Nightfall,&quot; which I recently resaw at Doc Films in Chicago. It seems to me to be easily</description>
    </item>

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