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    <title>MouthpieceWork at Yahoo! Groups</title>
    <link>http://launch.groups.yahoo.com/group/MouthpieceWork/</link>
    <description>Sax and Clarinet Mouthpiece Work</description>

    <item>
      <title>Re: Reed Swelling Video</title>
      <pubDate>Tue, 09 Feb 2010 17:30:37 GMT</pubDate>
      <dc:creator>flemingml2000</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8407</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8407</guid>
      <description>This is another time when the unorthodox use of the measuring glass can locate a problem.  Stick a wet reed on the underside of a piece of glass (or use the</description>
    </item>
    <item>
      <title>Re: Oddly Enough, Mouthpiece Work</title>
      <pubDate>Tue, 09 Feb 2010 15:15:27 GMT</pubDate>
      <dc:creator>STEVE GOODSON</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8406</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8406</guid>
      <description>The cutaway pictures of the full Runyon line was done by East Coast Winds, the Runyon distributor for the UK. They haven’t had this graphic up for many</description>
    </item>
    <item>
      <title>Re: Oddly Enough, Mouthpiece Work</title>
      <pubDate>Tue, 09 Feb 2010 13:56:01 GMT</pubDate>
      <dc:creator>MojoBari</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8405</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8405</guid>
      <description>I found the Runyon cut aways and put a copy of it in the Photos - Brochures section.</description>
    </item>
    <item>
      <title>Re: Oddly Enough, Mouthpiece Work</title>
      <pubDate>Tue, 09 Feb 2010 13:36:32 GMT</pubDate>
      <dc:creator>Keith Bradbury</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8404</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8404</guid>
      <description>Ferron has some pics.  So does the Wyman thesis avialable in the Files - Literature section for download.   I recall seeing a cutaway page of Runyon</description>
    </item>
    <item>
      <title>Re: Oddly Enough, Mouthpiece Work</title>
      <pubDate>Tue, 09 Feb 2010 04:10:02 GMT</pubDate>
      <dc:creator>Marc Shamasian</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8403</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8403</guid>
      <description>Theo Wanne has a page about different baffle types on his site.  Here&#39;s the link:http://www.theowanne.com/mouthpieces101/baffle.php </description>
    </item>
    <item>
      <title>Re: Oddly Enough, Mouthpiece Work</title>
      <pubDate>Tue, 09 Feb 2010 03:45:19 GMT</pubDate>
      <dc:creator>fidlershorns</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8402</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8402</guid>
      <description>Does someone have a cut away side view of mouthpieces with the different style baffle shapes that they can post or send the URL for? It would help with 3-d</description>
    </item>
    <item>
      <title>Re: Oddly Enough, Mouthpiece Work</title>
      <pubDate>Mon, 08 Feb 2010 21:21:39 GMT</pubDate>
      <dc:creator>Edward McLean</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8401</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8401</guid>
      <description>... Thank you Keith &amp; Lancelot for your helpful replies. I will do as you say, with care and frequent test blowing. I appreciate this site very much, for the</description>
    </item>
    <item>
      <title>Re: Sax Mouthpiece Volume Comparison</title>
      <pubDate>Mon, 08 Feb 2010 15:33:11 GMT</pubDate>
      <dc:creator>John</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8400</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8400</guid>
      <description>Do you mean the pitch when the mouthpiece and neck are played without the sax?  What is the taper in degrees of the Martin neck you are using, and what is the</description>
    </item>
    <item>
      <title>Re: Oddly Enough, Mouthpiece Work</title>
      <pubDate>Mon, 08 Feb 2010 14:54:22 GMT</pubDate>
      <dc:creator>MartinMods</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8399</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8399</guid>
      <description>&quot;I have levelled the table, reinstated the lay and narrowed the tip rail. This has effectively raised the wedge baffle, making the area immediately behind the</description>
    </item>
    <item>
      <title>Re: Sax Mouthpiece Volume Comparison</title>
      <pubDate>Mon, 08 Feb 2010 14:42:01 GMT</pubDate>
      <dc:creator>MartinMods</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8398</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8398</guid>
      <description>The frs of the missing cone, based upon the body taper of my Martin Handcraft alto, is a good concert Ab. ________________________________ From: John</description>
    </item>
    <item>
      <title>Re: Oddly Enough, Mouthpiece Work</title>
      <pubDate>Mon, 08 Feb 2010 14:38:33 GMT</pubDate>
      <dc:creator>Keith Bradbury</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8397</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8397</guid>
      <description>A good time to take the baffle down behind the tip rail is just before or while you are working on shaping the tip rail width.  Doing it later, you risk</description>
    </item>
    <item>
      <title>Re: Oddly Enough, Mouthpiece Work</title>
      <pubDate>Mon, 08 Feb 2010 10:58:36 GMT</pubDate>
      <dc:creator>Edward McLean</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8396</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8396</guid>
      <description>... Your successful experiment Bill prompts me to ask the group for advice on my Chinese metal tenor MPC,  which I think is a Selmer type clone. I have</description>
    </item>
    <item>
      <title>Re: Bass/Bari Sax Mouthpiece Volume Comparison</title>
      <pubDate>Mon, 08 Feb 2010 07:45:45 GMT</pubDate>
      <dc:creator>kymarto123@...</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8395</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8395</guid>
      <description>I don&#39;t know how John measured the neck, but it is worth mentioning that many saxes are &quot;necked-in&quot;, which means that the very end of the neck is substantially</description>
    </item>
    <item>
      <title>Re: Sax Mouthpiece Volume Comparison</title>
      <pubDate>Mon, 08 Feb 2010 03:57:27 GMT</pubDate>
      <dc:creator>John</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8394</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8394</guid>
      <description>The volume of the &quot;sub system&quot; as you call it is substantially smaller than the missing cone calculated from the taper of the body tube.  The natural resonant</description>
    </item>
    <item>
      <title>Re: Bass/Bari Sax Mouthpiece Volume Comparison</title>
      <pubDate>Mon, 08 Feb 2010 03:50:03 GMT</pubDate>
      <dc:creator>John</dc:creator>
      <link>http://launch.groups.yahoo.com/group/MouthpieceWork/message/8393</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/MouthpieceWork/message/8393</guid>
      <description>The neck has a physical length.  The mouthpiece properly proportioned and properly placed on the cork becomes a &quot;stand in&quot; for the missing cone and hence takes</description>
    </item>

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