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    <title>RedHotJazz at Yahoo! Groups</title>
    <link>http://groups.yahoo.com/group/RedHotJazz/</link>
    <description>From Ragtime to Swing</description>

    <item>
      <title>Axeman&#39;s Jazz</title>
      <pubDate>Sat, 08 Jun 2013 00:32:12 GMT</pubDate>
      <dc:creator>coneyislandtodd</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9472</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9472</guid>
      <description>This might be old news to many here, but it was news to me. I had never heard about this bit of New Orleans history.</description>
    </item>
    <item>
      <title>Re: Re-Norking -</title>
      <pubDate>Fri, 31 May 2013 10:07:46 GMT</pubDate>
      <dc:creator>Robert</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9471</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9471</guid>
      <description>Wingy Manone recorded in 1934 with Sidney Arodin & Santo Pecora (I think it was) under the name of the NORKs. The sides recorded certainly do not represent a</description>
    </item>
    <item>
      <title>Re: Re-Norking -</title>
      <pubDate>Thu, 30 May 2013 07:58:57 GMT</pubDate>
      <dc:creator>ALAN BOND</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9470</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9470</guid>
      <description>Just last year, Andy Schumm & Keith Nichols organised as session to re-create the work of the Halfway House Orchestra at the Whitley Bay Classic Jazz Party and</description>
    </item>
    <item>
      <title>Re-Norking -</title>
      <pubDate>Thu, 30 May 2013 01:12:29 GMT</pubDate>
      <dc:creator>Andrew Homzy</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9469</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9469</guid>
      <description>We&#39;ve had interesting discussions regarding re-creations of KOCJB and ODJB - but what about NORK? Besides Art Hodes&#39; &quot;Friars Inn Revisited&quot;, are there other</description>
    </item>
    <item>
      <title>Re: Armstrong&#39;s 1929 Mahogany Hall Stomp - different speeds</title>
      <pubDate>Tue, 14 May 2013 15:45:17 GMT</pubDate>
      <dc:creator>David Brown</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9468</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9468</guid>
      <description>Hello Robert JRT&#39;s website is, I regret, lost and gone. But Nick Dellow&#39;s excellent interview is still available at http://www.vjm.biz/articles9.htm All Best </description>
    </item>
    <item>
      <title>Re: Armstrong&#39;s 1929 Mahogany Hall Stomp - different speeds</title>
      <pubDate>Tue, 14 May 2013 13:14:41 GMT</pubDate>
      <dc:creator>ROBERT R. CALDER</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9467</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9467</guid>
      <description>jrt davies was indeed the speeds man his own writings on speeds topics ought to be available for reference. as I recall, he was very informative even when</description>
    </item>
    <item>
      <title>Re: Armstrong&#39;s 1929 Mahogany Hall Stomp - different speeds</title>
      <pubDate>Tue, 14 May 2013 07:15:27 GMT</pubDate>
      <dc:creator>David Brown</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9466</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9466</guid>
      <description>For this -- and all vintage material -- seek out JRT Davies transcriptions. Speed correction is an art, not a science, especially as jazz musicians, especially</description>
    </item>
    <item>
      <title>Florida_RhythmKings_2013_TarponSpringsGroup</title>
      <pubDate>Mon, 13 May 2013 06:34:32 GMT</pubDate>
      <dc:creator>LarryC</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9465</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9465</guid>
      <description>Good News -- 1920 s  and 1930 s Roaring 20 s Hits &quot;Rythm Kings Band is Currently Rehearsing Tarpon Springs, Florida EVEN BETTER, Many Veterans of Swing are in</description>
    </item>
    <item>
      <title>Re: Armstrong&#39;s 1929 Mahogany Hall Stomp - different  speeds</title>
      <pubDate>Sun, 12 May 2013 17:18:54 GMT</pubDate>
      <dc:creator>Andrew Taylor</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9464</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9464</guid>
      <description>Sounds similar to editing old photos digitally, there may be a &quot;right&quot; answer but it&#39;d be hard to prove, even to yourself! Andrew Taylor (from my iPad)</description>
    </item>
    <item>
      <title>Re: Armstrong&#39;s 1929 Mahogany Hall Stomp - different speeds</title>
      <pubDate>Sat, 11 May 2013 09:25:56 GMT</pubDate>
      <dc:creator>lastofthebarons</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9463</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9463</guid>
      <description>The version on, &quot;The Complete Louis Armstrong Vol. 5 &quot;Tight Like This&quot; 1928-1931 Disc 1&quot; by Frémeaux et Cie is 3:22. One of the reasons for a disparity in,</description>
    </item>
    <item>
      <title>Re: Armstrong&#39;s 1929 Mahogany Hall Stomp - different speeds</title>
      <pubDate>Sat, 11 May 2013 05:36:31 GMT</pubDate>
      <dc:creator>Richard Fannan</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9462</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9462</guid>
      <description>I have three versions of Mahogany Hall Stomp on CD and loaded into iTunes.  A The one from the Complete Hot Fives and Hot, according to the iTunes info, is</description>
    </item>
    <item>
      <title>Re: Armstrong&#39;s 1929 Mahogany Hall Stomp - different speeds</title>
      <pubDate>Fri, 10 May 2013 21:03:51 GMT</pubDate>
      <dc:creator>Andrew Taylor</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9461</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9461</guid>
      <description>Looking online, the cd set /Louis Armstrong : portrait of the artist as a young man, 1923-1934/ (which I don&#39;t have) has Mahogany Hall Stomp listed as 3:13,</description>
    </item>
    <item>
      <title>Armstrong&#39;s 1929 Mahogany Hall Stomp - different speeds</title>
      <pubDate>Fri, 10 May 2013 20:55:12 GMT</pubDate>
      <dc:creator>Andrew Taylor</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9460</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9460</guid>
      <description>Hi all, Wondered if any of you had noticed the following and had any opinions or observations about the following. I was listening just now (on iTunes) to</description>
    </item>
    <item>
      <title>Re: The Cabin in the Cotton (1932)</title>
      <pubDate>Wed, 01 May 2013 23:36:40 GMT</pubDate>
      <dc:creator>ROBERT R. CALDER</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9458</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9458</guid>
      <description>Orendorf should be recognisable aurally from his nice King Oliver style -- I gathered he had an interesting later life, but don&#39;t know details. Lawrence Brown</description>
    </item>
    <item>
      <title>Re: The Cabin in the Cotton (1932)</title>
      <pubDate>Tue, 30 Apr 2013 14:23:01 GMT</pubDate>
      <dc:creator>Howard Rye</dc:creator>
      <link>http://groups.yahoo.com/group/RedHotJazz/message/9457</link>
      <guid isPermaLink="true">http://groups.yahoo.com/group/RedHotJazz/message/9457</guid>
      <description>When I was working on these or the discography in Marshall Royal?s autobiography we reached the essential conclusion that it is almost impossible to recover</description>
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