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    <title>tuning at Yahoo! Groups</title>
    <link>http://launch.groups.yahoo.com/group/tuning/</link>
    <description>Welcome to the Alternate Tunings Mailing List.</description>

    <item>
      <title>Re: Musical Set Theory in 12-tET</title>
      <pubDate>Wed, 10 Feb 2010 15:55:14 GMT</pubDate>
      <dc:creator>hfmlacerda</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86221</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86221</guid>
      <description>P.S.: Cameron, I just would like to add that I think my points (below) are essentially in agreement with what you have written, even if apparently it seems to</description>
    </item>
    <item>
      <title>Re: Musical Set Theory in 12-tET</title>
      <pubDate>Wed, 10 Feb 2010 15:46:08 GMT</pubDate>
      <dc:creator>hfmlacerda</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86220</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86220</guid>
      <description>... [...] ... Yes, analysis of pitch-class sets is essentially about material classification, identification of derivation procedures on the selected material,</description>
    </item>
    <item>
      <title>Re: Markov Chains And Microtonality</title>
      <pubDate>Wed, 10 Feb 2010 15:16:27 GMT</pubDate>
      <dc:creator>Chris Vaisvil</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86219</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86219</guid>
      <description>Ok, Here are some markov chain programs http://clones.soonlabel.com/public/mark_text/ Now... these are used to process text documents and have 2 and 3 chain </description>
    </item>
    <item>
      <title>Re: The point of temperament</title>
      <pubDate>Wed, 10 Feb 2010 14:53:16 GMT</pubDate>
      <dc:creator>Kalle</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86218</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86218</guid>
      <description>... It depends what you take as chords. If any kind of subset is a chord then any scale, tempered or not, with the same number of notes has the same number of</description>
    </item>
    <item>
      <title>Re: Markov Chains And Microtonality</title>
      <pubDate>Wed, 10 Feb 2010 13:31:46 GMT</pubDate>
      <dc:creator>Cornell III, Howard M</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86217</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86217</guid>
      <description>Why would every combination require a line of code? That is, what would you do in a line of code for each combination that could not be accomplished by nested</description>
    </item>
    <item>
      <title>Re: Markov Chains And Microtonality</title>
      <pubDate>Wed, 10 Feb 2010 10:52:47 GMT</pubDate>
      <dc:creator>Daniel Forró</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86216</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86216</guid>
      <description>I know about him, he&#39;s on good way... Thanks for the link. Daniel Forro</description>
    </item>
    <item>
      <title>Re: Markov Chains And Microtonality</title>
      <pubDate>Wed, 10 Feb 2010 09:30:23 GMT</pubDate>
      <dc:creator>hstraub64</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86215</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86215</guid>
      <description>... David Cope has done exactly that, and indeed with Markov chains - more specific, hidden Markov models. Results (quite impressive) can be heard on</description>
    </item>
    <item>
      <title>Re: Markov Chains And Microtonality</title>
      <pubDate>Wed, 10 Feb 2010 09:08:42 GMT</pubDate>
      <dc:creator>Daniel Forró</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86214</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86214</guid>
      <description>I don&#39;t understand what you mean here. Markov chains were used in music analysis for statistical evaluations of certain elements, parameters of music in</description>
    </item>
    <item>
      <title>Re: Musical Set Theory in 12-tET</title>
      <pubDate>Wed, 10 Feb 2010 08:34:20 GMT</pubDate>
      <dc:creator>cameron</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86213</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86213</guid>
      <description>... &quot;Set theory&quot; isn&#39;t really about tone rows. AFAIK it really started with Hanson, which I probably have somewhere come to think of it, and he was dealing</description>
    </item>
    <item>
      <title>Markov Chains And Microtonality</title>
      <pubDate>Wed, 10 Feb 2010 08:09:56 GMT</pubDate>
      <dc:creator>Sarn Ursell</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86212</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86212</guid>
      <description>Hello tuners! I could assume that one of the good methods of creating &quot;human composed sounding&quot; microtonal music, is with the use of a Markov chain. Let us say</description>
    </item>
    <item>
      <title>Re: 19-tone set theory</title>
      <pubDate>Wed, 10 Feb 2010 06:04:56 GMT</pubDate>
      <dc:creator>John H. Chalmers</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86211</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86211</guid>
      <description>Torsten: I don&#39;t Howe&#39;s article has been published as his web pages says that it was written in 1993 and is undergoing revision. His home page is</description>
    </item>
    <item>
      <title>Re: Musical Set Theory in 12-tET</title>
      <pubDate>Wed, 10 Feb 2010 04:40:24 GMT</pubDate>
      <dc:creator>Cox Franklin</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86210</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86210</guid>
      <description>I talked about larger  and asymmetric sets in the end of my note. I understood this to be a question about how to learn to aurally identify different sets,</description>
    </item>
    <item>
      <title>Re: 12-equal/12-wt is the only possible temperament eliminating the </title>
      <pubDate>Wed, 10 Feb 2010 04:36:41 GMT</pubDate>
      <dc:creator>Herman Miller</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86209</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86209</guid>
      <description>... Up to the 7-limit, that sounds right. ... Meantone only tempers out 81/80; the 7-limit version of meantone tempers out 126/125, 225/224, etc. but not</description>
    </item>
    <item>
      <title>Re: Trying to figure out how microtonal music works is  like early m</title>
      <pubDate>Wed, 10 Feb 2010 04:20:11 GMT</pubDate>
      <dc:creator>Daniel Forró</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86208</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86208</guid>
      <description>On 10 Feb 2010, at 12:32 PM, Mike Battaglia wrote: Thanks for the names of jazz musicians, I will check... ... Hm, wikipedia... Written by a certain person</description>
    </item>
    <item>
      <title>Re: Trying to figure out how microtonal music works is like early ma</title>
      <pubDate>Wed, 10 Feb 2010 03:32:41 GMT</pubDate>
      <dc:creator>Mike Battaglia</dc:creator>
      <link>http://launch.groups.yahoo.com/group/tuning/message/86207</link>
      <guid isPermaLink="true">http://launch.groups.yahoo.com/group/tuning/message/86207</guid>
      <description>... Yes, it&#39;s more of a newer sound. Not used too much in bebop. ... Aaron Parks, Kurt Rosenwinkel, Brad Mehldau, Jim Black, Aisha Duo, Ralph Alessi, etc. That</description>
    </item>

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